Skip to main content

Writer Tip: Scenes

Recently I saw a post on Twitter referring to the use of scenes. So, it had me wondering, how do you know what scenes work best for your book? At the end of the day, you want the scenes that move your story along. Is it essential to your character's personal growth (character arc) in the story? Are you just padding your book with words to meet a word count?

For example, if my character (heroine) is sitting the in the park, my reader will want to know why? Is she reflecting on her life? Why is this scene important to her story? If she meets her love interest (hero) while at the park, then yes keep it in the book. If she has a conversation about the guy with a friend while at the park, then yes save it. So, as you can see if it moves the story along to where it's changing and challenging your characters (provoking change, building tension/conflict), then include the necessary scenes in your book.

On the other hand, how do you know when a scene's over? Whether you're working with a critique partner or your editor, I think deep down we as writers have that internal instinct of when the scene needs to end. It may move your story along, but you don't want to drag it out either. You want your readers to stay engaged, so if that means cutting it off at the end of one chapter, and then picking it up in the next few that follow, then do it.

This takes practice my fellow authors, so don't be discouraged if you're just starting out. If you were anything like me, in the beginning of my writing journey, I just went with the "flow" or as others call it "pantsing." This may work for some, but having an outline can help organize your scenes. As the author, you're the creator, so you know what's coming up next. Ask yourself, "does this scene move my story alone? Does it add to my character's development? Does it add to my plot?" If all those answers are yes, then keep your scenes. If not and they don't add or drag your story, cut it out!😄😍

Until the next tip.


Comments

Popular posts from this blog

Arranged by Trisha Grace

  Arranged : A Clean Billionaire Romance by Trisha Grace From the first chapter, this story engrossed me. I love Hayley and her spirit. She realizes her "dream" husband is just a dream, but due to unforeseen circumstances, she must press into her faith to take care of a man that doesn't want her around. Julian doesn't see Hayley as his wife, but her kindness towards him has him questioning her intentions. I love Trisha's depiction of both faith and love in this story. Hayley and Julian are both relatable, but Hayley is definitely my favorite in this story. I love her strength, her faith in God, and how she depends on Him to help with her rocky marriage. I look forward to reading more by Trisha Grace. Beautiful story, with even more twists and turns to keep us readers guessing.

Beta Reading; What's been working for me

If you've been looking for beta readers I do recommend www.critiquematch.com , www.cpmatchmaking.wordpress.com , and the latest www.betareader.io . With Critique Match and Betareader.io, you will have to upload your manuscript, whether its pages or the full document. I do advise reviewing the tutorials, and anything else can be asked in the help desks. I will say what's been working for me, is offering to be a beta reader. Of course, I don't offer in the hopes of "what can you do for me?" If a story sparks my interest and I have the time, I don't mind helping a fellow author in my genre. I know I can't read everyone's work, but I aim to sharpen my skills when it comes to plot development, character arcs, narratives, etc. Doing this, however, I have found authors are more open to reading my work since I took the time to read theirs. Again, I'm happy to help because I love reading and writing, but this has definitely been an asset to my works in pr

Writer Tip: Are you showing or telling?

We've all heard as writers "show and don't tell," while others have heard "show and tell." Which one do you choose? I have found it's best to find a balance. If your details are not moving the story, then of course tell your readers, "Mya went to work." On the other hand, if she gets into an accident on the way or she meets her hero (love interest) because he's her new boss, then show it. Ex: "Mya gripped the steering wheel. Her radio clashed with traffic noises outside, but she sung along to the tunes anyway. She could use another cup of coffee, but stopping on the way--out of the question. Five will be here soon and I can go home. If only she could keep her eyes from drooping, but her boss's thick eyebrows would raise if she trotted inside the office late. Then the purr of her motor came to an end as she cut the engine, finally parking in her spot. Then she saw... Greg? " This is a rough version, but get you the point,